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Available Artworks
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How I Do Art
Techniques and Materials
More About How I Paint
Portfolio
FAQ
Blog
About
Jay Gee Fine Art
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Available Artworks
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Folder: How I Do Art
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Available Artworks Catch the Light in a Glass. Giclee fine art print.
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Catch the Light in a Glass. Giclee fine art print.

from $25.00

I was fascinated by the refraction of light in this highball glass, and a grisaille followed by glazing proved to be the way to capture it. Strong downlighting and multiple layers of glaze give a lovely three-dimensional effect.

July 2024. Grisaille method.

Originally oil painted on aluminium composite panel (ACM), 30cm x 24cm /12” x 9".

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I was fascinated by the refraction of light in this highball glass, and a grisaille followed by glazing proved to be the way to capture it. Strong downlighting and multiple layers of glaze give a lovely three-dimensional effect.

July 2024. Grisaille method.

Originally oil painted on aluminium composite panel (ACM), 30cm x 24cm /12” x 9".

I was fascinated by the refraction of light in this highball glass, and a grisaille followed by glazing proved to be the way to capture it. Strong downlighting and multiple layers of glaze give a lovely three-dimensional effect.

July 2024. Grisaille method.

Originally oil painted on aluminium composite panel (ACM), 30cm x 24cm /12” x 9".

Prints are scaled to various standard US frame sizes, e.g. 10x8, 14x11, 20x16, 28x20, and 36x24 (all inches). Square print sizes are 12x12, 16x16, 20x20, 24x24, 28x28, 32x32, and 36x36 (all inches). The print itself is smaller than this to include a border of 1 to 2 inches depending on the print size. When the original is an odd proportion, we fill the frame with the image until the first border is touched. In other words, you might have wider vertical or horizontal borders. When the horizontal borders are wider, we might move the image up a little so that the lower one is wider than the upper, this is a popular setting.

All of my prints are professionally rendered to archival standards on 310gm, 100% cotton paper from Germany, with a gently textured surface. This paper is free of optical brightening agents (OBAs). They are printed in the latest generation Epson Ultrachrome archival pigment inks. This is the ink-set that started the pigment print revolution and twenty years on continues to be the leader in terms of lightfastness, colour gamut and D-max. I inspect each print personally to ensure print quality. Each print is titled, signed and dated by me, and will be packed in glassine paper and cardboard tubing for sizes 36x24 to 20x16, or glassine with cardboard protection for the smaller sizes 14x11 and 10x8.

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